Showing posts with label drawing. Show all posts
Showing posts with label drawing. Show all posts

Monday, November 11, 2013

Retrospective: A Year of Curating Oct 2012-Nov 2013

Retrospective: A Year of Curating

NX ArtHouse Oct 2012- Nov 2013

My name is Alex. I curated at the NX ArtHouse for about a year. When I finish this blog entry, my work will be complete. It was quite a ride.

Curated by LisaAnn LoBasso, assisted by Alex Ortiz.

November 2012 Stone Soup
Curated by LisaAnn LoBasso, assisted by Alex Ortiz.

December 2012 nXmas Art Sale
Curated by LisaAnn LoBasso, assisted by Alex Ortiz.

Curated by Alex Ortiz.

March 2013 Blank Gone Wild
Curated by Alex Ortiz.

Curated by Alex Ortiz.

Curated by Alex Ortiz.

Curated by Alex Ortiz.

Curated by Alex Ortiz.

Curated by Alex Ortiz.

Curated by Alex Ortiz.

Curated by Alex Ortiz.

Curated by Alex Ortiz.

During these art exhibits The NX ArtHouse hosted OnTheFly Open Mic with flymaster John Davies and SPEAKEASY Open Mic with co-hosts Alex Ortiz and Zeke Hughes.

I had always planned on this being temporary. It was just time. I loved curating these shows. It was a huge challenge. I would do it again, in another time and place. I'm not planning on curating any events soon. Who knows what adventures will happen next. For now I'm going to focus on my own art. Thank you to everyone involved for this experience.

Much Love,
Alex Ortiz

Quintessence of Dust, The Art of Sarah McComb. November 2013.

Quintessence of Dust, The Art of Sarah McComb

NX ArtHouse, November 2013


Artist Statement: Sarah McComb currently lives in Bakersfield, California. She draws things sometimes, usually with black Uniball pens.


About the artist:
Sarah McComb is a primarily self taught artist who is new to the Bakersfield Art scene this year. She has participated in several group art exhibits and First Friday in Downtown Bakersfield.
Her favorite media is ink and paper, however she also experiments with collage and acrylics. All the titles of this exhibit were taken from Hamlet.





Your Mama Don't Paint! Art Show! August 2013.

Your Mama Don't Paint! Paint Off!

NX ArtHouse August 2013.


This was a group art show composed of art that people created over a few nights. Some of the canvases were shared. Artists were instructed: "Just go with it. Don't think. Paint for as long as you need. Paint for as long as there is paint, then paint some more. The colors will never let you down. The painting will last as long as you want it to."


Participating artists:
Art Rodriquez
Joe Rodriquez
Alex Ortiz
be
Sarah McComb
Ester
Brittany Koenig
Immyr
Django
Violet
































Penciled Ones and Zeroes, The Art of Troy Brown. May 2013


Penciled Ones and Zeroes, The Art of Troy Brown

NX ArtHouse May 2013





About the Art:
The artwork in this exhibit is classical realism with a twist. Troy Brown draws figures in pencil and digitizes them to add things like splashes of color. No different than the brush to a painter or the chisel to the sculptor, the computer offers a vast array of tools for an artist to use. Troy takes his drawings to a new artistic level inside this digital world where his manipulations turn art into something fresh and original that any aficionado needs to see to believe.


About the Artist: 

Troy Brown has been an artist for 40 years. His works focus on the greatness of man, a showcase to the beauty of the individual and the mind itself. His latest endeavors utilize the mediums of sculpture, drawing and a digitally blended form all his own. 

Blank Gone Wild. March 2013.



Blank Gone Wild

NX ArtHouse March 2013



A group art exhibit of anything wild and outrageous.

Participating artists:
Jorge Guillen
LisaAnn LoBasso
Alex Ortiz
Sarah McComb
Troy Brown
Amythist
Cebron Kyle Bradford
Donald Myers
Dacey VanDer Wal Villareal

Monday, December 26, 2011

A Rant on Studies


"And in the middle of the night... when I least suspect it... when I’m fast asleep, I wake up and make some more art because I haven't made any in how many hours?" -Yours Truly

Sometimes I like to think of paintings as research papers, because, after all, a picture is worth a thousand words. When writing a research paper, one must use references and do research. In school one studies a subject to learn something for a quiz or test. In art, studies help collect information for the finished piece. For a painting, I lookup what certain things look like, from either photos or, if I have a subject available, I make sketches from real life.

On the Spot Studies:

When I have an idea I usually use whatever paper I have closest to me. From doing this so much, I call it more of an itch to draw. I try carrying around a notebook and pen everywhere, but sometimes forget it and end up drawing on the back of receipts, or envelopes, or cardboard, or even napkins.

Coffee Shop Couple on receipt paper

One night I had a dream and wanted to remember it. It wasn't something I could study from life. I drew the idea over and over until I could remember every detail and those themselves became studies from memory. Although the last one was finished, I still would like to do it again to see if it can get any better.

Drawings from Memory for I Dreamed of Rampage

Studies for I Oughta Know:

In “I Oughta Know,” from Perogative at The Empty Space, I had to study apples, butterflies, and my own face and hands. The butterflies started as an image in my head. I drew the idea of a stomach with butterflies on the back of a business card of mine. Then I finger-painted my idea onto a smaller canvass one night to get an idea of the colors.

Butterfly Belly Drawing on business card

Regarding the apples, at the time I was eating lots of apples; at least once daily. I did some sketch studies of apples as I was eating them. When I plan on doing a study, I usually draw on paper that is actually made for drawing, but that doesn’t always happen.

One of my many Apple Studies

I had a couple apples as I was finishing up the painting too. Having a live subject to paint from helped make a better finished piece. I was able to see how the apple browned over time.

Apple painting next to live apple

Studies for Gir Hat Girl:

For the painting “Gir Hat Girl,” I made myself study the figure several time from a single photo. I drew her face once to think about the shadows of her face. Then I painted her several times on the big canvass I was making a composition on. After I didn’t get the effect I wanted, I sanded down the then thick canvass and painted it white to start over. After that I did five painting studies on separate surfaces. I used whatever I had that would hold the paint. One was on a piece of paste-board. The next four were on old canvasses I had. These studies were for a quiz I made for myself: the final painting. I didn’t get it quite right on my quiz that I timed myself on, so I took a short break and painted it some more the next day. The studies sure helped.


Painting Studies before finished painting

General Studies and Improvising:


General studies can help an artist make a visual vocabulary and help technical skill. The way I drew apples over and over again to get a few good ones, drawing other things, “studying” other things, can build up a visual vocabulary to make more complex compositions. When exercising, you don't just do one pushup and say you're done doing pushups for the rest of your life (not if you want to stay fit anyway). In the same way an artist needs to make lots of "studies," ie drawings, sketches, and practice paintings before making the actual thing.

I find it best to get out the idea when it is first thought of, so its best to always keep art supplies around, even its cheap paper and crayons. When I want to make large drawings I put together lots of regular pieces of paper with tape on a wall and just draw things out.


Drawing on collage paper on door


When exercising, you don't just do one pushup and say you're done doing pushups for the rest of your life (not if you want to stay fit anyway). In the same way an artist needs to make lots of "studies," ie drawings, sketches, and practice paintings before making the actual thing. General studies can help an artist make a visual vocabulary and help technical skill. The way I drew apples over and over again to get a few good ones, drawing other things, “studying” other things, can build up a visual vocabulary to make more complex compositions. 

One might say general studies, say on anatomy or architecture, are what drawing classes are for, but that’s not always necessary. All you need is a subject. Subjects can be found sitting in a bar, or at family functions, or in your own home. Or if that doesn’t work there are books with pictures to draw from. The great thing about owning books is that you can write, or in my case, draw in them.

(left) sketch, (right) photo

Let’s not forget magazines and the internet are also usable sources for art studies. There is plenty in the big world to make studies from. Studies can be beautiful, ugly, playful, frustrating, informative, therapeutic, or stressful. Studies can end up being a complete work in itself. Studies can be thrown away once the project they are for is completed. No pressure, OR  YES PRESSURE. Anyone can do it. The materials used in studies don’t matter, the act of studying and LEARNING from those studies is what matters. It’s the people who do studies over and over and over and over and make a great finished piece based on that who are the ones that create something worth all the effort.